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27 Mar

“Zandile!”- The Night Doja Cat Came Home

The chant echoed through the arena long before the beat dropped.
“Zandile! Zandile! Zandile!”

It wasn’t just a crowd calling out to a global superstar, it was a homecoming.

When Doja Cat stepped onto the stage, the energy in the room shifted instantly. What followed was more than a performance; it was a deeply emotional exchange between artist and audience. Fans, friends, and families moved in unison dancing, chanting, and celebrating a shared moment that felt both global and deeply personal.

For Doja Cat, born Amala Zandile Dlamini, the experience was just as overwhelming. At several points during her set, emotion took over. She spoke candidly about how being in South Africa felt familiar like a return rather than a visit. It was a rare moment of vulnerability from an artist known for her genre-defying performances, and the crowd met it with unwavering love.

Behind this landmark moment is a bigger vision, one that extends far beyond a single night.

Nounouche had the opportunity to speak with Ifeoma Chuks-Adizue, Managing Director of Global Citizen Africa, about the Move Africa initiative and its significance for the continent’s creative industry.

According to Ifeoma, Move Africa is already proving to be a powerful force. At its core, the initiative is about building the infrastructure needed to make large-scale concerts commercially viable across Africa creating opportunities for global artists to tour the continent while strengthening local ecosystems.

But it’s not just about bringing the world to Africa. It’s about positioning Africa as a key player on the global touring map.

“Africa is ready,” Ifeoma emphasized. “Ready for global touring, ready for investment, and ready to lead.”

The Global Citizen movement is intentional about the artists it partners with, prioritising those who believe in the continent and are aligned with a vision of long-term cultural and economic growth.

A standout feature of Move Africa is its commitment to bridging global and local artistry.

Doja Cat reunited with South African band The Joy. The group perfumed at Coachella with her in 2025. Known for their incredible vocals, they didn’t fail to impress.

One of the night’s defining moments came when Moonchild Sanelly opened the stage. With electrifying performances of hits like “My Power” and “iWalk Ye Phara,” she set the tone for the evening bold, unapologetic, and distinctly African.

This synergy between local and international talent is central to the initiative’s mission. It not only amplifies African voices but also reinforces the idea that local artists belong on the same stages as global superstars not as supporting acts, but as equals.

Ifeoma envisions a future where African artists tour across the continent as frequently and successfully as they do internationally. And that future, she notes, is already beginning to take shape, a testament to the years of work artists have invested in building their craft and their audiences.

Beyond the spotlight, Move Africa is also investing in the next generation.

The initiative includes training programs aimed at young people working behind the scenes production, logistics, event management and laying the groundwork for a sustainable and self-sufficient entertainment industry.

Global Citizen has also made it easier for young Africans to get involved. Through its platform, individuals can apply for opportunities, access resources, and become part of a broader movement driving change across the continent.

By the end of the night, one thing was clear: this wasn’t just a concert. It was a statement.

A full arena of passionate fans dressed to impress, singing every word, and fully immersed in the experience created an atmosphere that felt uniquely South African. There was pride, there was joy, and there was a powerful sense of ownership.

Many in the crowd described Doja Cat as “our own.” And in that moment, it felt true.

Because beyond the lights, the music, and the global attention, the night served as a reminder:
South Africa and Africa at large is not just part of the global entertainment conversation.

It’s leading it!

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